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Documentary film, landscape studies, essay film, environmental activism, urban geography, interactive documentary, collaborative and collective media activism, media ecology, documentary performance, improvisation in media-making, montage theory, collective subjectivity.
“Valencia/The Movie(s): A New Collectivity,” co-written with Liz Clarke, Camera Obscura, 2016 Volume 31, No. 3 93: 165-175.
“The Ethical Implications of Zeros, Circles and Loops,” Flow: A Critical Forum on Television and Media Culture, Vol. 23: Special Issue: Loop Media, Nov. 2016.
“Symposium Review: Poetics & Politics: Documentary Research Symposium, May 15–17, 2015, UC Santa Cruz, CA,” Journal of Media Practice, 17/1, 2016, 117-118.
“Star,” Sister Spit: Writings, Rants & Reminiscence from the Road, ed. Michelle Tea, City Lights Books, San Francisco, CA, 2012, pp. 19-20.
Landscape with the Fall of Icarus, performance text, Brooklyn, NY: Bonsai Emanuel Press, 2010.
“Gum and Tea,” The Journal of Short Film, Volume 10, Winter, 2008.
“Now,” co-editor & contributor, Movement Research Journal #23, New York, NY, 2001.
“Virtual Female,” SF Camerawork Journal, Fall/Winter 1995, Volume 22, No. 2, 1995, pp 30-32.
Documentary film studies, documentary media production, landscape and film geography, film editing, montage theory, media ecology, environmental documentary, experimental film, multimedia performance, media improvisation, found-footage and archival filmmaking, social and environmental justice media activism, collaborative mediamaking.