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Introduction to Film Studies |
Introduction to Film Studies |
The Film Experience |
The Film Experience |
Introduction to Film Studies |
The Film Experience |
Introduction to Film Studies |
The Film Experience |
The Film Experience |
The Film Experience |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Television Culture and Society |
Introduction to Television Culture and Society |
Introduction to Television Studies |
Introduction to Television Culture and Society |
Introduction to Television Studies |
Introduction to Digital Media |
Introduction to Digital Media |
Intro to Digital Media |
Intro to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Production Technique and Theory |
Introduction to Production Technique |
Introduction to Production Technique |
Introduction to Production Technique |
Introduction to Production Technique |
Intro to Production Technique |
Introduction to Production Technique |
Intro to Production Technique |
Introduction to Production Technique |
Introduction to Production Technique |
Student Directed Seminar-Seeing the Invisible: A Critical Look at Film Editing |
Student Directed Seminar: The Body Genre |
Student Directed Seminar: Editing - The Power of Image and Sound |
Student Directed Seminar - Cult Cinema: Worshiping Alternative Success |
Student Directed Seminar: Blaxploitation Films |
The Film Experience |
The Film Experience |
Technothrillers |
The Film Experience |
A Comparative Study of Israeli Documentaries |
Understanding Media |
Special Topics in Film & Digital Media: True Stories: Crafting Truth in Documentary Film and Media |
Special Topics in Film & Digital Media: Cinemas of the 1970s |
Special Topics in Film & Digital Media: Atomic Cinema |
Special Topics in Film & Digital Media: Gender & Technology |
Special Topics in Film & Digital Media: Knowing Television |
Special Topics in Film & Digital Media: Cinemas of Rebellion |
Special Topics in Film and Digital Media: Rock & Roll Cinema |
Special Topics in Film & Digital Media: Atomic Cinema |
Special Topics in Film & Digital Media: Transmedia Storytelling |
Special Topics in Film and Digital Media: History of Animation: Dinosaurs, Mice, Cowboys and Plumbers |
Special Topics in Film and Digital Media: Rock & Roll Cinema: Gender, Performance and Cultural Practice |
Special Topics in Film & Digital Media: Atomic Cinema |
Video Games as Visual Culture |
Video Games as Visual Culture |
Video Games as Visual Culture |
Sex in the Cinema |
Introduction to Film Theory and Criticism |
Introduction to Film Theory and Criticism |
Introduction to Film Theory and Criticism |
Introduction to Film Theory and Criticism |
Intro to Film Theory and Criticism |
Introduction to Film Theory and Criticism |
Introduction to Film Theory and Criticism |
Silent Cinema |
Silent Cinema |
International Cinema to 1960 |
International Cinema: to 1960 |
International Cinema to 1960 |
International Cinema to 1960 |
International Cinema: 1960 to Present |
International Cinema: 1960 to Present |
Gender and Global Cinema |
Gender and Global Cinema |
Gender and Global Cinema |
Gender and Global Cinema |
Gender and Global Cinema |
American Film, 1930-1960 |
American Film: 1930-1960 |
American Film: 1930-1960 |
American Film, 1930-1960 |
American Film: 1960 to Present |
American Film: 1960 to Present |
American Film: 1960 to Present |
American Film: 1960 to Present |
American Film: 1960 to Present |
American Film: 1960-Present |
Experimental Film and Video |
Experimental Film and Video |
Experimental Film & Video |
History of Television |
History of Television |
Visual Culture and Technology: History of New Media |
Visual Culture and Technology |
Visual Culture and Technology |
Visual Culture and Technology |
Visual Culture and Technology: History of New Media |
Documentary Film and Video |
Documentary Film and Video |
Documentary Film and Video |
Documentary Film and Video |
Screenwriting |
Screenwriting |
Screenwriting |
Screenwriting |
Screenwriting |
Screenwriting |
Screenwriting |
Film Directing |
Film Directing |
Film Directing |
Script Analysis |
Script Analysis |
Film Genres - Genre Trouble |
Film Genres: Melodrama |
Film Genres: Genre Trouble |
Film Genres: Genre Trouble |
Film Genres: The Western |
Film Genres: Film Noir |
Film Genres: Film Noir |
Film Genres: Melodrama |
Film Genres: Film Noir |
Film Genres: Genre Trouble |
Film Genres: Ethno-Fiction and Poetic Realism |
Film Genres: Comedy |
Documentary Film and Video |
Documentary Film and Video |
Documentary Animation |
Documentary Animation |
Documentary Animation |
Film Authors: Female Filmmakers |
Film Authors: Wong Kar Wai |
Film Authors: Women and Men on the Verge: Luis Bunuel/Pedro Almodovar/Lucrecia Martel |
Film Authors: Chantal Akerman |
Film Authors: Alfred Hitchcock |
Film Authors: Mike Leigh |
Film Authors: Martha Rosler |
Film Authors: Werner Herzog |
Film, Video, and Gender |
Film, Video, and Gender |
Race on Screen |
Race on Screen |
Race on Screen |
Race on Screen |
Lesbian, Gay and Queer Film and Video |
Lesbian, Gay, and Queer Film and Video |
Asian Americans and Media |
Asian Americans and Media |
Asian Americans and Media |
Asian Americans and Media |
National Cinema and Culture: The Bollywood Terrorist |
National Cinema and Culture: Mexican & Spanish Cinemas |
National Cinema and Culture: Mediterranean Passages: Italian Cinema About and Across the Mediterranean |
National Cinema and Culture: Chinese Cinema |
National Cinema and Culture: Lebanese and Syrian Cinema |
National Cinema and Culture: Chinese Action Cinema-Fighting Across the Border |
National Cinema and Culture: Arab/Middle East |
National Cinema and Culture: Arab and Middle East |
National Cinema and Culture: Chinese Action Cinema |
National Cinema and Culture: New Zealand Cinema |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Introduction to Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Introduction to Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Fundamentals of Film & Video Production |
Special Topics Workshop: Sound |
Special Topics Workshops: Sound |
Special Topics Workshop: Sound |
Special Topics Workshop: Sound |
Special Topics Workshop: Sound |
Special Topics Workshop: Sound |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Found Footage |
Social Information Spaces |
Social Information Spaces |
Special Topics Workshop: Autobiographical Film |
Special Topics Workshop: Autobiographical Film |
Special Topics Workshop: Autobiographical Film |
Special Topics Workshop: Autobiographical Film |
Special Topics Workshop: Autobiographical Film |
Special Topics Workshop: Autobiographical Film |
Special Topics Workshop: Autobiographical Film |
Documentary Animation Workshop |
Documentary Animation Workshop |
Documentary Animation Workshop |
Documentary Animation Workshop |
Film and Video Studio |
Film and Video Studio |
Film and Video Studio |
Film and Video Studio |
Narrative Video Workshop |
Film and Video Studio |
Narrative Video Workshop |
Film and Video Studio |
Film and Video Studio |
Narrative Video Workshop |
Film and Video Studio |
Narrative Video Workshop |
Film & Video Studio |
Film and Video Studio |
Narrative Video Workshop |
Film and Video Studio |
Film and Video Studio |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Medium |
Personal Computers in Film and Video |
Personal Computers in Film and Video |
Personal Computers in Film and Video |
Writing about Film, Television, and Digital Media |
Sound and Image in Theory and Criticism |
Sound and Image in Theory and Criticism |
Advanced Topics in Film Studies: Exhibition & Inhibition: Movies, Pleasure & Social Control |
Adv. Topics in Film Studies: Performing Racial & Gender Difference--"minor" star studies |
Special Topics in Film & Video: Technology of Horror |
Advanced Topics in Film Studies: Cross-Over Stardom |
Special Topics in Film & Video: Cinephilia |
Special Topics in Film & Video: Technology of Horror |
Eyecandy Seminar |
Eyecandy |
Eyecandy Seminar |
EyeCandy |
Eyecandy Seminar |
Eyecandy |
EyeCandy Seminar |
Advanced Topics in Television Studies |
Advanced Topics in Television Studies: Textuality and Intertextuality |
Advanced Topics in Television Studies: Fandom and Geek Culture |
Advanced Topics in Television Studies: Television Studies and Race |
Advanced Topics in Digital and Electronic Media Studies: Video Game Studies |
Advanced Topics in Digital and Electronic Media Studies: Internet Comedy |
Advanced Topics in Digital and Electronic Media Studies: Copyright and Culture |
Advanced Topics in Digital and Electronic Media Studies-Video Game Studies |
Advanced Topics in Digital and Electronic Media Studies: Gender and the Internet |
Film Theory Seminar: Surfaces and Depths |
Film Theory Seminar: Surrealism - Practice, Theory, and Criticism |
Film Theory Seminar: Cinematic Time: From Silent Film to Digital Media |
Film Theory Seminar: Film, Television, and the Passion for Perceiving |
Film Theory Seminar: Cinematic Time, From Silent Film to Digital Media |
Film Theory Seminar-Surrealism: Art, Cinema, and Criticism |
Film Theory Seminar: Cinema, Modernity and Modernism |
Film Theory Seminar: Cultural Studies |
Electronic Media Theory Seminar |
Electronic Media Theory Seminar: Media Democracy |
Electronic Media Theory Seminar: Television, the Internet, and Democracy |
Electronic Media Theory Seminar: Television, the Internet, and Democracy |
New Media Theory Seminar |
New Media Theory Seminar: 21st Century Tool Kit for the New Media Artist |
Film History Seminar: Citizenship & Spectatorship |
Film History Seminar - History/Theory/Practice in Film Archives |
Film History Seminar: Censorship and the Production Code |
Film History Seminar: Histories of Film Criticism |
International Cinemas: Arab & Middle Eastern Cinemas |
International Cinemas: Colonial/Postcolonial Cinemas |
International Cinemas: Postcolonial Theory and Cinema |
International Cinemas: Globalization, Gender, and Sexuality in International Cinemas |
International Cinemas: Chinese Cinema in the International Circuit |
FIlm Theory Seminar: Comic Book Culture |
Special Topics Seminar: Film Sound |
Special Topics Seminar: Cross-Pacific Film Remakes |
Special Topics Seminar: Cities and Cinema |
Special Topics Seminar: Medium Specificity and Experimental Cinema |
Special Topics Seminar: Projected Arts and the Global |
Special Topics Seminar: Moral Panic Media |
Special Topics Seminar: Yellowface: Perils and Potentials of Cross-racial Performance |
Special Topics Seminar: Moral Panic Media |
Special Topics Seminar: Border-Crossing Remakes |
Special Topics Seminar: Non-Fiction Television |
Special Topics Seminar: Animals and Film |
Special Topics Seminar: Media, Sexuality, and Violence |
Special Topics Seminar: Medium Specificity and Experimental Cinema |
Senior Project in Film and Video Production |
Senior Project in Narrative Production |
Senior Project in Film and Video Production |
Senior Project in Narrative Production |
Senior Project in Film & Video Production |
Senior Project in Narrative Production |
Senior Project in Film and Video Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Film and Video Production |
Senior Project in Narrative Production |
Senior Project in Film and Video Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Documentary Workshop |
Senior Documentary Workshop |
Senior Documentary Workshop |
Senior Documentary Workshop |
Senior Documentary Workshop |
Senior Documentary Project |
Senior Digital Media Workshop |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Theory and Praxis of Digital Media I |
Theory and Praxis of Film & Digital Media 1 |
Theory and Praxis of Digital Media 1 |
Theory and Praxis of Film & Digital Media I |
Theory and Praxis of Film & Digital Media 1 |
Theory and Praxis of Digital Media 2 |
Theory and Praxis of Film & Digital Media II |
Theory and Praxis of Film & Digital Media 2 |
Theory and Praxis of Film & Digital Media II |
Theory and Praxis of Film & Digital Media 2 |
Grant Writing |
The Film Experience Limbrick |
Intro to Production Technique |
The Film/Video Essay |
The Film/Video Essay |
Mediating Difference |
Mediating Difference |
Software Studies |
Software Studies (Graduate Course) |
Queer Theory and Global Film and Media |
Representing Memory |
Moving Image Archives and the Frontiers of Information |
Moving Image Archives and the Frontiers of Information |
Topics in Documentary Studies: Histories of Violence |
Expanded Documentary |
Topics in Postcolonial Theories, Film and Media |
Audiovisual Ethnography |
Studies and Practice for Social Documentation, Filmmaking, and New Media |
Studies and Practice for Social Documentation, Filmmaking, and New Media |
Studies and Practice for Social Documentation, Filmmaking, and New Media |
Toward an Ethics of New Media |
Feminist Media Histories |
Making... in the Anthropocene |
Film, Culture, and Modernity |
Public Art: Memory, Landscape, and Artist as Activist |
Public Art: Memory, Landscape, and Artist as Activist |
Research Methods and Approaches to Digital Arts and Culture |
Recent Methods and Approaches to Digital Arts and Culture |
Dialogues and Questions in Digital Arts and Culture |
Introduction to Programming for the Arts |
Introduction to Programming for the Arts |
Collaborative Research Project Group: Socially Engaged Art |
Collaborative Research Project Group: Socially Engaged Art |
Collaborative Research Project Group: Socially Engaged Art |
Collaborative Research Project Group: Participatory Culture |
Collaborative Research Project Group: Participatory Culture |
Collaborative Research Project Group: Experimental Play |
Collaborative Research Project Group: Experimental Play |
Special Topics in Digital Arts and New Animation: Topic TBA |
Professional Topics in Film and Digital Media |
Professional Topics in Film, Television and Digital Media |
Professional Topics in Film, Television, and Digital Media |
Professional Topics in Film, Television, and Digital Media |
Introduction to Film Studies |
Introduction to Film Studies |
Introduction to Film Studies |
Introduction to Film Studies |
Introduction to Film Studies |
Introduction to Film Studies |
Introduction to Film Studies |
Introduction to Film Studies |
Introduction to Film Studies |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Television Studies |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Digital Media |
Introduction to Production Technique and Theory |
Introduction to Production Technique and Theory |
Introduction to Production Technique |
Introduction to Production Technique and Theory |
Introduction to Production Technique |
Introduction to Production Technique |
Introduction to Production Technique |
Introduction to Production Technique |
Introduction to Production Technique |
Student Directed Seminar: Pre-Code Cinema |
SDS: Film Trailers: The Space Before the Feature |
SDS: F is for Fake - The Essay Film |
Student Directed Seminar: Queering the Gaze: A Survey Course of Queer Women Directors |
Student Directed Seminar: Children's 'Toons |
The Film Experience |
The Film Experience |
The Film Experience |
The Film Experience |
The Film Experience |
The Film Experience |
Understanding Media |
Understanding Media |
Understanding Media |
Understanding Media: Early Immersive Media |
Understanding Media |
Understanding Media |
Understanding Media |
Understanding Media |
Understanding Media |
Special Topics in Film and Digital Media: American Cinema of the 1970's |
Special Topics in Film and Digital Media: Performance Documentary/Documenting Performance |
Special Topics in Film and Digital Media: History of Animation |
Special Topics in Film and Digital Media: Topic TBA |
Special Topics in Film and Digital Media: Immersive Media |
Special Topics in Film and Digital Media: Indigenous California |
Special Topics in Film and Digital Media: Indigenous Cinemas |
Special Topics in Film and Digital Media: Sound, Technology, Culture |
Special Topics in Film and Digital Media: Digital Dystopia in Cine-media Context |
Special Topics in Film and Digital Media: International Film Waves |
Special Topics in Film and Digital Media: Made to Persuade: 20th-Century Advertising, Educational, Industrial and Government Film |
Special Topics in Film and Digital Media: History of Animation |
Special Topics in Film and Digital Media: History of Animation |
Special Topics in Film and Digital Media: History of Animation |
Special Topics in Film and Digital Media: A History of Animation |
Special Topics in Film and Digital Media: MADE TO PERSUADE: 20th-Century Advertising, Educational, Industrial and Government Film |
Special Topics in Film and Digital Media: Documentary Horror |
Special Topics in Film and Digital Media: Topic TBA |
Special Topics in Film and Digital Media: Political Cinema since Potemkin, Global Perspectives |
Special Topics in Film and Digital Media: Sound, Technology, and Culture |
Special Topics in Film and Digital Media: History of Animation |
Special Topics in Film and Digital Media: Eco-Cinema |
Special Topics in Film and Digital Media: History of Animation |
Special Topics in Film and Digital Media: Documenting Horror: Exploring horror's documentation of the real |
Special Topics in Film and Digital Media: A History of Animation |
Technothrillers |
Technothrillers |
Technothrillers |
Technothrillers |
Video Games as Visual Culture |
Video Games as Visual Culture |
Video Games as Visual Culture |
Video Games as Visual Culture |
Video Games as Visual Culture |
Video Games as Visual Culture |
Video Games as Visual Culture |
Video Games as Visual Culture |
Video Games as Visual Culture |
Introduction to Media Theory |
Introduction to Media Theory |
Introduction to Media Theory |
Introduction to Media Theory |
Introduction to Media Theory |
Introduction to Media Theory |
Introduction to Media Theory |
Introduction to Media Theory |
Introduction to Film Theory and Criticism |
Introduction to Media Theory |
Introduction to Media Theory |
Introduction to Film Theory and Criticism |
Introduction to Media Theory |
Silent Cinema |
Silent Cinema |
Silent Cinema |
Silent Cinema |
Silent Cinema |
Silent Cinema |
Silent Cinema |
Silent Cinema |
Silent Cinema |
International Cinema: to 1960 |
International Cinema to 1960 |
International Cinema to 1960 |
International Cinema to 1960 |
International Cinema: to 1960 |
International Cinema: to 1960 |
International Cinema: to 1960 |
International Cinema 1960 to Present |
International Cinema: 1960 to Present |
International Cinema, 1960 to Present |
International Cinema: 1960 to Present |
International Cinema: 1960 to present |
International Cinema: 1960 to Present |
International Cinema: 1960-Present |
American Film: 1930-1960 |
American Film, 1930-1960 |
American Film, 1930-1960 |
American Film: 1930-1960 |
American Film, 1930-1960 |
American Film: 1930 to 1960 |
American Film: 1930-1960 |
American Film: 1930-1960 |
American Film: 1960-Present |
American Film, 1960 to Present |
American Film, 1960 to Present |
American Film, 1960-Present |
American Film: 1960-Present |
American Film: 1960 to present |
Experimental Film and Video |
Experimental Film and Video |
History of Television |
History of Television |
History of Television |
Visual Culture and Technology: History of New Media |
Visual Culture and Technology |
Visual Culture and Technology: History of New Media |
Visual Culture and Technology: History of New Media |
Visual Culture and Technology: History of New Media |
Documentary Film and Video |
Documentary Film and Video |
Documentary Film and Video |
Documentary Film and Video |
Documentary Film and Video |
Documentary Film and Video |
Documentary Film and Video |
Documentary Film and Video |
Documentary Film and Video |
Screenwriting |
Screenwriting |
Screenwriting for Television |
Screenwriting |
Screenwriting |
Screenwriting |
Screenwriting |
Screenwriting |
Screenwriting |
Screenwriting |
Screenwriting for Television |
Screenwriting |
Screenwriting |
Screenwriting |
Film Directing |
Film Directing |
Film Directing |
Film Directing |
Film Directing |
Script Analysis |
Film Genres: Topic TBA |
Film Genres: The Historical Film |
Film Genes: The Western |
Film Genres: Film Noir |
Film Genres: Comedy: Satire, Parody and Mockumentary |
Film Genres |
Film Genres: Topic TBA |
Film Genres: Who Can Save Us? The American Social Problem Genre |
Film Genres: The American Social Problem Film |
Film Genres: Science Fiction |
Film Genres: Film Noir |
Film Genres: The American Social Problem Film |
Film Genres: The American Social Problem Film |
Film Genres: Eco Cinema |
Documentary Animation |
Film Authors: Topic TBA |
Film Authors |
Film Authors: Raoul Ruiz |
Film Authors |
Film Authors: The Editor as Author |
Film Authors: The Editor as Author |
Film Authors: Ethnographic Authorship (Maya Deren, Trin T. Min-Ha, Sara Gómez) |
Film Authors: Female Filmmakers |
Film Authors: Female Filmmakers |
Film, Video and Gender |
Film, Video and Gender |
Film, Video and Gender |
Film, Video, and Gender |
Film, Video and Gender |
Race on Screen |
Race on Screen |
Race on Screen |
Race on Screen |
Race on Screen |
Race on Screen |
Race on Screen |
Race on Screen |
Race on Screen: After Blaxploitation: The Emergence of Black Film in the 1980s |
Race On Screen |
Race on Screen |
Lesbian, Gay and Queer Film and Video |
Asian Americans and Media |
Asian Americans and Media |
Asian Americans and Media |
Asian Americans and Media |
Asian Americans and Media |
Asian Americans and Media |
Asian Americans and Media |
Asian Americans and Media |
Chicana/o Cinema, Video |
Chicana/o Cinema, Video |
Chicana/o Cinema, Video |
Chicana/o Cinema,Video |
Chicano/a Cinema, Video |
Gender and Global Cinema |
National Cinema and Culture: Francophone African Cinema |
National Cinema and Culture: Francophone Cinema |
National Cinema and Culture: Arab Cinema |
National Cinema and Culture: Latin America |
National Cinema and Culture: Radical Japanese Cinema |
National Cinema and Culture: Latin America |
National Cinema and Culture: British Cinema |
National Cinema and Culture: Chinese Cinema |
Francophone African Cinema |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Digital Media Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Fundamentals of Film and Video Production |
Special Topics Workshop: Sound |
Sound |
Special Topics Workshop: Sound |
Sound |
Special Topics Workshop: Sound |
Special Topics Workshop: Sound |
Special Topics Workshop: Sound |
Special Topics Workshop: Sound |
Special Topics Workshop: Sound |
Found Footage |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Found Footage |
Found Footage |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Found Footage |
Special Topics Workshop: Autobiographical Film |
Collaborative Documentary Workshop |
Special Topics in Film and Digital Media Production: Feminist Filmmaking |
Special Topics in Film and Digital Media Production: Feminist Filmmaking |
Special Topics in Film and Digital Media Production: Experimenting with Small Media |
Special Topics in Film and Digital Media Production: Topic TBA |
Special Topics in Film and Digital Media Production: Making an Exoneree |
Special Topics in Film and Digital Media Production: Crafting The Short Film |
Special Topics in Film and Video Production: Ecocinema theory and practice: Making Films in the Anthropocene |
Special Topics in Film and Digital Media Production: Introduction to Immersive Media |
Special Topics in Film and Digital Media Production: Making an Exoneree |
Special Topics in Film and Digital Media Production: Intro to Immersive Media |
Special Topics in Film and Digital Media Production: DIY, Craft & Experimental Video Practice |
Special Topics in Film and Digital Media Production: Crafting the Short Film |
Special Topics in Film and Digital Media Production: Making an Exoneree |
Special Topics in Film and Digital Media: Crafting The Short Film |
Special Topics in Film and Digital Media Production: Making an Exoneree |
Narrative Video Production |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Narrative Video Workshop |
Making an Exoneree |
Making an Exoneree |
Documentary Video Workshop |
Documentary Film and Video |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Documentary Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop: Feminist Filmmaking |
Experimental Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop |
Experimental Video Workshop |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Media |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Medium |
Digital Media Workshop: Computer as Medium |
Special Topics in Animation: Stop Motion, Rotoscoping and Experimental Hand-Drawn Animation |
Special Topics in Animation: Stop-Motion, Mixed Media and Experimental Animation |
Special Topics in Animation: Topic TBA |
Special Topics in Animation: 2D Computer and Mixed Media Storytelling |
Special Topics in Animation: The Tactile Experience |
Special Topics in Animation: Stop Motion Animation |
Special Topics in Animation: Topic TBA |
Special Topics in Animation: Stop-Motion, Mixed-Media and Experimental Animation |
Special Topics in Animation: Stop Motion and Mixed Media 2D Experimental Animation |
Special Topics in Animation: Stop Motion and Mixed Media Animation |
Documentary Animation Workshop |
Documentary Animation Workshop |
Documentary Animation Workshop |
Documentary Animation Workshop |
Documentary Animation Workshop |
Writing for Film, Television and Digital Media |
Writing About Film, Television, and Digital Media |
Sound and Image in Theory and Criticism |
Sound and Image in Theory and Criticism |
Sound and Image in Theory and Criticism |
Sound and Image in Theory and Criticism |
Sound and Image in Theory and Criticism |
Sound and Image in Theory and Criticism |
Sound and Image in Theory and Criticism |
Sound and Image in Theory and Criticism |
Advanced Topics in Film Studies: Work Sights: Scenes of Labor, Effort and Vocation |
Advanced Topics in Film Studies: Cultures of Consumption |
Advanced Topics in Film Studies: Filming Work |
Advanced Topics in Film Studies: The Filmgoing Cultures of Exploitation Cinema |
EyeCandy Seminar |
EyeCandy Seminar |
EyeCandy Seminar |
EyeCandy Seminar |
EyeCandy Seminar |
Eyecandy Seminar |
EyeCandy Seminar |
Eyecandy Seminar |
EyeCandy Seminar |
Advanced Topics in Television Studies: Race and Television |
Advanced Topics in Television Studies: Gender and Television Culture |
Advanced Topics in Television Studies: Race and Television |
Advanced Topics in Television Studies: Topic TBA |
Advanced Topics in Television Studies: Race and Television |
Advanced Topics in Television Studies: Race and Television |
Advanced Topics in Digital and Electronic Media Studies: Inventing the Future: Art and Electronic Media |
Advanced Topics in Digital and Electronic Media Studies: Archives: Power, Justice, Inclusion |
Advanced Topics in Digital and Electronic Media Studies: Cinema of the Squares: Digital Media Following the Arab Spring |
Advanced Topics in Digital and Electronic Media Studies |
Advanced Topics in Digital and Electronic Media Studies: Copyright and Culture |
Advanced Topics in Digital and Electronic Media Studies: Artificial Intelligence and Visual Culture |
Advanced Topics in Digital and Electronic Media Studies: Inventing the Future: Art and Electronic Media |
Advanced Topics in Digital and Electronic Media Studies: Topics TBA |
Film Theory Seminar: Theory of Melodrama |
Film Theory Seminar: ON THE FACE |
Film Theory Seminar: Theories of Empire Cinema |
Electronic Media Theory Seminar: The Electronic Screen |
Electronic Media Theory Seminar: Non-Fiction Television |
New Media Theory Seminar: Telematic Embrace: Computer Networking and Visionary Consciousness |
New Media Theory Seminar: Topic TBA |
New Media Theory Seminar: Topic TBA |
New Media Theory Seminar: Games, Representation and the Cinematic |
New Media Theory Seminar: Games, Representation and the Cinematic |
New Media Theory Seminar: Net Works: Infrastructures of Control and Resistance |
New Media Seminar: Topic TBA |
New Media Theory Seminar: Software and Difference |
New Media Theory Seminar: Games, Representation and the Cinematic |
Film History Seminar: Topic TBA |
Film History Seminar: Practical Film History |
Film History Seminar: The Hollywood Social Problem |
Film History Seminar: The National Film Registry and The Practice of Film History |
Film History Seminar: The National Film Registry and the Question of History |
International Cinemas: Film Affect: Smell, Taste and Touch |
International Cinemas: Chinese Cinema in the International Circuit |
International Cinemas (Arab Film and Video) |
Film and the other Arts |
Ethics and Documentary Editing |
Ethics and Documentary Filmmaking |
Special Topics Seminar: Feminism and the Media |
Special Topics Seminar: Topic TBA |
Special Topics Seminar: Topic TBA |
Special Topics Seminar: Topic TBA |
Special Topics Seminar: Propaganda Animation |
Special Topics Seminar: Feminism and The Media |
Special Topics Seminar: Projected Arts & Global Cinema |
Special Topics Seminar |
Special Topics Seminar: Topic TBA |
Special Topics Seminar: The Social Contract: Intersections in Film and Photography |
Special Topics Seminar: Topic TBA |
Special Topics Seminar: Actors Acting |
Special Topics Seminar: City Symphony and the Urban Landscape Essay Film |
Special Topics Seminar: Feminist Histories of Hollywood |
Special Topics Seminar: City Symphony Filmmaking |
Special Topics Seminar: Yellowface: Perils and Potentials of Cross-Racial Performance |
Special Topics Seminar: Experimental Media History Lab |
Special Topics Seminar: Feminism and the Media |
Special Topics Seminar: Bordering Chinese Cinema |
Special Topics Seminar: Ecomedia: Theory and Practice |
Special Topics Seminar: Film Criticism |
Special Topics Seminar: Future Worlds: Sci-Fi and Speculative Fiction |
Special Topics Seminar: Sci-Fi x Speculative Fiction |
Special Topics Seminar: Feminist Media/Media Feminisms |
Special Topics Seminar: Actors Acting: Performance in Film, Video and Digital Media |
Special Topics Seminar: Digital Citizenship: From Propaganda to Protest |
Special Topics Seminar: Topic TBA |
Senior Project in Film and Video Production |
Senior Project in Film and Video Production |
Senior Project in Narrative Production |
Senior Project in Film and Video Production |
Senior Project in Film and Video Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Narrative Production |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Project in Screenwriting |
Senior Documentary Workshop |
Senior Documentary Workshop |
Senior Documentary Workshop |
Senior Documentary Project |
Senior Documentary Workshop |
Senior Documentary Workshop |
Senior Documentary Project |
Senior Documentary Workshop |
Senior Documentary Workshop |
Senior Digital Media Workshop |
Senior Digital Media Workshop |
Senior Digital Media Workshop |
Senior Digital Media Project |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Introduction to Graduate Study |
Theory and Praxis of Film and Digital Media 1 |
Theory and Praxis of Film and Digital Media 1 |
Theory and Praxis of Film and Digital Media 1 |
Theory and Praxis of Film and Digital Media 1 |
Theory and Praxis for Film and Digital Media 1 |
Theory and Praxis of Film and Digital Media 1 |
Theory and Praxis of Film and Digital Media 1 |
Theory and Praxis of Film and Digital Media 1 |
Theory and Praxis of Film and Digital Media 1 |
Theory and Praxis of Film and Digital Media |
Theory and Praxis of Film and Digital Media 2 |
Theory and Praxis of Film and Digital Media 2 |
Theory and Praxis of Film and Digital Media 2 |
Theory and Praxis of Film and Digital Media 2 |
Theories and Praxis of Film and Digital Media 2 |
Theory and Praxis of Film and Digital Media 2 |
Theory and Praxis of Film and Digital Media 2 |
Theory and Praxis of Film and Digital Media 2 |
Pedagogy in Film and Digital Media |
Pedagogy in Film and Digital Media |
Pedagogy in Film and Digital Media |
Pedagogy in Film and Digital Media |
Pedagogy in Film and Digital Media |
Pedagogy in Film and Digital Media |
Professional Development in Film and Digital Media |
Professional Development in Film and Digital Media |
Professional Development in Film and Digital Media |
Grant Writing |
Grant Writing |
Grant Writing |
Audio Arts and Methods |
Audio Arts and Methods |
Critical Methodologies in Film and Television |
The Film/Video Essay |
The Film/Video Essay |
The Film/Video Essay |
Mediating Difference |
Mediating Difference |
Software Studies |
Software Studies |
Software Studies |
Queer Theory and Global Film and Media |
Queer Theory and Global Film and Media |
Queer Theory and Global Film and Media |
Representing Memory |
Representing Memory |
Moving Image Archives and the Frontiers of Information |
Moving Image Archives and the Frontiers of Information |
Moving Image Archives and the Frontiers of Information |
Topics in Documentary Studies: The Interview and Other Talking Heads |
Topics in Documentary Studies: Screen Reenactment |
Topics in Documentary Studies |
Expanded Documentary |
Expanded Documentary |
Topics in Postcolonial Theories, Film and Media |
Topics in Postcolonial Theories, Film, and Media |
Audiovisual Ethnography |
Studies and Practice for Social Documentation, Filmmaking and New Media |
Studies and Practice for Social Documentation, Filmmaking, and New Media: Audio Documentary |
Studies and Practice for Social Documentation, Filmmaking and New Media |
Studies and Practice for Social Documentation, Filmmaking and New Media |
Studies and Practice for Social Documentation, Filmmaking and New Media: After Effects |
Studies and Practice for Social Documentation, Filmmaking and New Media: Sound Theory Sound Practice |
Studies and Practice for Social Documentation, Filmmaking and New Media: Audible Territories |
Studies and Practice for Social Documentation, Filmmaking and New Media: The Intersection Between Documentary Storytelling + Social Interaction + Gameful Design |
Studies and Practice for Social Documentation, Filmmaking and New Media |
Towards an Ethics of New Media |
Toward an Ethics of New Media |
Towards an Ethics of New Media |
Toward an Ethics of New Media |
Feminist Media Histories |
Feminist Media Histories |
Feminist Media Histories |
Feminist Media Histories |
Graduate Critique |
Graduate Critique |
Graduate Critique |
Graduate Critique |
Graduate Critique |
Graduate Critique |
Graduate Critique |
Graduate Critique |
Graduate Critique |
The Politics of Information |
Topics in Media Theory: Topic TBA |
Topics in Media Theory: "Media Citizenship: Bureaucracy, Power, and Difference" |
New Media Arts and Digital Culture: TRUTH |
Writing Studio |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Approaches to Social Documentation |
Introduction to Documentary Field Production and Planning |
Introduction to Documentary Field Production |
Introduction to Documentary Field Production |
Introduction to Documentary Field Production and Editing |
Introduction to Documentary Field Production and Editing |
Introduction to Documentary Field Production and Editing |
Introduction to Documentary Field Production and Editing |
Introduction to Documentary Field Production and Editing |
Advanced Documentary Field Production and Editing |
Advanced Documentary Field Production and Planning |
Advanced Documentary Field Production and Editing |
Advanced Documentary Field Production and Editing |
Advanced Documentary Field Production and Editing |
Advanced Documentary Field Production and Editing |
Advanced Documentary Field Production and Editing |
Advanced Documentary Field Production and Editing |
Project Planning for the Social Documentary |
Project Planning for the Social Documentary |
Project Planning for the Social Documentry |
Project Planing for the Social Documentary |
Project Planning for the Social Documentary |
Project Planning for the Social Documentary |
Project Planning for the Social Documentary |
Project Planning for the Social Documentary |
Multiple Platform Social Documentary Production |
Multiple Platform Social Documentary Production |
Multiple Platform Social Documentary Production |
Multiple Platform Social Documentary Production |
Multiple-Platform Social Documentary Production: Sound |
Practice of Social Documentary |
Multiple Platform Social Documentary Production |
Practice of Social Documentary |
Multiple Platform Social Documentary Production |
Practice of Social Documentary |
Practice of Social Documentary |
Practice of Social Documentary |
Documentary Research Methods and Social Science Representation |
Documentary Research Methods and Social Science Representation |
Documentary Research Methods and Social Science Representation |
Documentary Research Methods and Social Science Representation |
Documentary Research Methods and Social Science Representation |
Documentary Research Methods and Social Science Representation |
Documentary Research Methods and Social Science Representation |
Documentary Research Methods and Social Science Representation |
Ethnographic Writing and Social Documentation |
Ways of Seeing and Hearing |
Ways of Seeing and Hearing |
Ways of Seeing and Hearing |
Ways of Seeing and Hearing |
Ethnographic Writing and Social Documentation |
Social Science Research and Social Representation |
Social Science Research and Social Representation |
Social Science Research and Social Representation |
Social Science Research and Social Representation |
Social Science Research and Social Representation |
Project Planing for the Social Documentary |
Project Planning for the Social Documentary |
Project Planing for the Social Documentary |
Project Planning for the Social Documentary |
Project Planning for the Social Documentary |
Video Production of the Social Documentary |
Video Production of the Social Documentary |
Video Production of the Social Documentary |
Video Production of the Social Documentary |
Video Production of the Social Documentary |
Special Topics in Social Documentation |
Special Topics on Social Documentation |
Special Topics on Social Documentation |
Special Topics on Social Documentation |
Special Topics in Social Documentation |
Studies and Practice for Social Documentation, Filmmaking and New Media |
Studies and Practice for Social Documentation, Filmmaking, and New Media: Audio Documentary |
Studies and Practice for Social Documentation, Filmmaking and New Media |
Studies and Practice for Social Documentation, Filmmaking and New Media |
Studies and Practice for Social Documentation, Filmmaking and New Media |
Studies and Practice for Social Documentation, Filmmaking, and New Media |
Studies and Practice for Social Documentation, Filmmaking and New Media: After Effects |
Studies and Practice for Social Documentation, Filmmaking and New Media: Sound Theory Sound Practice |
Studies and Practice for Social Documentation, Filmmaking and New Media: Audible Territories |
Studies and Practice for Social Documentation, Filmmaking and New Media: The Intersection Between Documentary Storytelling + Social Interaction + Gameful Design |
Studies and Practice for Social Documentation, Filmmaking, and New Media |
Studies and Practice for Social Documentation, Filmmaking, and New Media |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |
Production/Analysis/Editing |