- UC Santa Cruz
- The Arts
- News and Events
- Student Work
Anita Chang is a media artist, educator and writer. Her films have screened and broadcast internationally, and have been presented at the Whitney Museum of American Art, Yerba Buena Center for the Arts’ Bay Area Now, Walker Arts Center, Museum of Fine Arts Houston, and National Museum of Women. Her movies include Tongues of Heaven; Joyful Life; 62 Years and 6500 Miles Between; She Wants to Talk to You; Imagining Place; Mommy, What’s Wrong? and One Hundred Eggs a Minute. They are distributed by Women Make Movies, Third World Newsreel, Center for Asian American Media, Taiwan Public Television, Kanopy Streaming and Alexander Street Press.
Chang’s research and creative practice examine the ways in which postcolonial, diasporic, and multicultural societies represent themselves in various visual media, with a focus on retelling, reviving, and reinventing their stories and histories, and the impact that these works have on their respective communities and nations. Chang’s moving image works reflect observations and philosophical explorations of ideas, such as inequality, spirituality and freedom. In pushing the boundaries of the moving image medium, she experiments with the interplay between content and form to inspire different kinds of viewing experiences. Many of her creative works focus on the experiences of minorities, immigrants, exiles, Asian and Asian Pacific American women, and disenfranchised communities. They are engaged with and complicate discourses on postcolonialism, ethnography, diaspora, race, gender and cross-cultural representation. They also attempt to address the challenges of representing the experiences of people who exist under conditions of marginality—be it social, political, psychic, or spatial.
Chang has taught film/video production and media studies in the San Francisco Bay Area, and abroad at AAVAS in Kathmandu Nepal, the renowned Motion Picture Department at National Taiwan University of Arts, and the Department of Indigenous Languages and Communication at National Dong Hwa University in Taiwan. She has received grant awards from Creative Capital, the Fulbright Foundation, the San Francisco Arts Commission, National Geographic and the KQED Peter J. Owens Filmmaker program.
She recently completed her doctoral dissertation, a practice- and theory-based project titled “Transmedia Arts Activism and Language Revitalization: Critical Design, Ethics and Participation in Third Digital Documentary.” Her essays have been published in positions: asia critique, Concentric: Literary and Cultural Studies and Taiwan Journal of Indigenous Studies. Her latest essay “Altered States for a Critical Cosmopolitanism” is part of Routledge’s AFI Film Readers series book, Teaching Transnational Cinema and Media: Politics and Pedagogy.
Teaching Fall Quarter 2016: FILM 80A, The Film Experience and FILM 80S, Special Topics in Film and Digital Media: Indigenous Cinemas
Teaching Winter Quarter 2017: FILM 162, Film Authors: Raoul Ruiz
Teaching Spring Quarter 2017: FILM 194S-01, Special Topics Seminar: Ecomedia: Theory and Practice